AI Ad Creative Production | Solfreaks AdCraft AI

Solfreaks AdCraft AI produces ad creative with AI tools and then finishes it by hand: UGC-style videos with AI presenters, product animations, voiceovers and image ads, made in enough variations that you can test which opening line actually stops the scroll.

AI is good at speed and volume. It's bad at knowing what your product can truthfully do. So a person on our side writes the scripts, checks every frame against your real product and edits the result, and the tools do the heavy lifting in between. The finishing is done by the editors at our video editing studio, where you can also see examples of their work.

What a batch contains

Hook list. A page of opening lines and angles for the first three seconds, written from your product facts and the questions customers ask.
UGC-style videos. Short vertical videos with a licensed AI presenter or a voiceover, scripted so they read as a person talking about a product.
Product animations. Movement added to your real product photos, such as a slow rotation, a zoom or a simple scene, without changing the product itself.
Voiceovers. English and Urdu, plus other languages where the tools handle them well, checked by a native speaker before anything runs.
Image ads. Feed, story and display sizes built from your own product shots and brand colours.
Variation sets. The same ad with different hooks, voices and endings, named so that you can match results back to each version.
Rights note. Final files plus a record of which tools and licences were used, so you know where each ad is allowed to run.

The limits we work within

Platform rules come first. Meta, TikTok and YouTube each ask advertisers to label realistic AI-generated or altered content in some situations, and the details keep changing, so we read the current policy before each campaign instead of trusting memory. We use licensed AI presenters, not lookalikes of real people, and we clone nobody's voice without their written permission.

Then there is product accuracy. We start from your real photos and never show a product doing something it can't do. An AI presenter will not pose as a customer giving a review, because fake testimonials mislead viewers and can get ad accounts restricted.

When a real shoot is the better choice

Food, clothing fit, skincare results and anything else where texture, scale or a genuine outcome is what persuades. Also anything where trust in a real person matters, such as a founder, a clinic's doctor or a happy customer. In those cases we'll say so, and the same editors can cut the footage you shoot. For static brand work, logos and print, our graphic design service is the better fit.

How a production round runs

Brief and product review. You send photos, the claims you're allowed to make and a few ads you like or hate.
Scripts and hooks. We write them and send them for sign-off before any video is generated, which saves rework. This usually takes two to three working days.
First drafts. A first batch is typically ready about a week after the scripts are approved.
Human edit pass. Pacing, captions, audio, brand colours and a fact check against your brief. One round of changes is normally included.
Delivery and test plan. Files in the right sizes for each platform, plus a suggested way to test them. If we also run your campaigns, that's covered under performance ads management.

Who gets the most from it

Online shops, app publishers and local service firms that need a steady supply of fresh ads, because the same creative gets tired quickly. If you advertise every month and keep recycling one video, this pays for itself in options.

Look elsewhere if your product sells on how it looks and feels in the hand, such as premium fashion or cosmetics, or if your claims are tightly regulated and every word needs sign-off from a lawyer. It's also overkill if you need one ad a year. And we won't make deepfakes of celebrities, competitors or anyone who hasn't agreed to it.

Pricing and turnaround

Each batch is priced on how many videos and variations you want, their length, the languages involved, how much editing and motion graphics each one needs, and the licence costs of the AI tools behind them. We work either as a fixed price per batch or as a monthly production plan if you need fresh ads on a regular schedule.

A first batch typically takes one to two weeks from approved scripts. Monthly plans usually run in cycles of a few weeks. The quote follows a short discovery call.

Why Solfreaks for AI creative

Rawalpindi's time zone works well for UK and Gulf clients, and with apps published on Google Play we know what an ad needs to do when it ends in a store page. The team is small and you deal with the people making your ads. You own the finished files. Send us your product and the ads you run today and we'll tell you honestly whether AI or a real shoot fits better.

Open-source tools and references

A few public projects that come up a lot in this kind of work. They belong to other people and teams. We link to them because they are worth a look, not because anyone pays us to.

Comfy-Org/ComfyUINode-based interface for image and video generation models.
remotion-dev/remotionMake videos programmatically with React.
FFmpeg/FFmpegThe standard toolkit for converting and editing video and audio.

Frequently asked questions

Do viewers have to be told an ad is made with AI?

Sometimes. Meta, TikTok and YouTube have rules asking for labels on realistic AI-generated or altered content, and the wording changes often. Some countries are adding their own disclosure rules as well. We check the current policy for each platform before launch and add the label where it's required. Ask your adviser about local advertising law, because we build creative and don't give legal advice.

Can you make an AI version of our founder or a team member?

Only with that person's written permission, and we'd keep a copy of it with the project files. The same goes for cloning a voice. Without consent we use licensed presenters supplied by the tools instead. We won't recreate celebrities, competitors or anyone else who hasn't agreed, and we'd advise you against asking another supplier to do it either.

Will AI ads perform better than ordinary ones?

We can't promise that, and anyone who does is guessing. What AI changes is cost and speed: you can test many hooks and voices without paying for a new shoot each time. Some of them will lose. The point is to find the few that work and spend on those. We make the variations and you see the results in your own ad accounts.

Who owns the finished ads?

You do, within the licence terms of the AI tools used to make them. Those terms differ between tools, and some limit certain commercial uses, so we pick tools whose licences cover paid advertising and list them in the rights note we hand over with the files. If a tool's terms change, we'll tell you which ads are affected.

How do we know the ad is not overpromising?

We write scripts only from facts you give us and check each finished video against your real product before delivery. AI tools sometimes invent details, like a feature that doesn't exist or a result the product can't produce, so every frame gets a human look. Anything we aren't sure of is cut or sent back to you for confirmation.